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“That was fun!” exclaimed one young woman sincerely to her friend as the Suspiria credits began to roll at my half-press, half-public screening. “Is there going to be a nine-hour sequel?” groaned a guy a few rows back, feeling in the dark for his coat. Luca Guadagnino’s remake of the giallo horror classic by his countryman Dario Argento has divided critics along those same lines. Is it a lush, meticulously crafted exploration of female sexuality and revolutionary violence and psychoanalysis and the work of historical trauma and … other important stuff? Or is it an overlong, overstuffed, and under-scary bore whose main points of interest are its kinky production design and #HalloweenGoals costumes?

from Stories from Slate https://ift.tt/2D7ivyD