Friday, December 13, 2019
MZ Digital Marketing Agency
The second attempt to resurrect the 1974 campus-set horror is a well-intentioned yet ultimately unconvincing modernisation
There’s a curious dichotomy within slasher movies, a subgenre that both punishes and rewards its female characters. While many of the women are being slaughtered, in variously graphic ways, a storied tradition of “final girls” are being empowered, surviving and ultimately triumphing over masked killers. At times, there has even been room for knife-edge commentary on the extreme dangers of misogyny and slut-shaming, most memorably in the crowd-pleasing finale of Scream where two women bring down a pair of murderous incels. But there remains an understandably conflicted relationship between gender and slashers which makes the arrival of one aiming to do something with this seem like an enticing proposition.
Related: The woke undead: how zombie movies are taking on racial politics
Continue reading...from The Guardian https://ift.tt/34cK9mN
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